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The Social Contact

Introduction

In a time of social distancing and estrangement, we have selected a group of works that address our humanity. This eclectic group of artists approach figurative imagery in a variety of media including photography, painting, sculpture, and drawing, which is particularly meaningful in our present moment.

This selection features pregnant women, infants, mothers with their children, subjects of advanced age, the human skeleton, and the skull — the entire range of a human life. In this extraordinary historical moment, representations emblematic of human nature's ongoing and understandably invested interest in mortality is especially relevant. Alone and in crowds, in a tender embrace or in a moment of melancholy, people share the profoud experience of being.

The Social Contact includes works by Diane Arbus, Donald Baechler, Jean-Michel Basquiat, Lynda Benglis, Louise Bourgeois, William Eggleston, Adam Fuss, Chantal Joffe, Robert Mapplethorpe, Alice Neel, Jack Pierson, Milton Resnick, and Andy Warhol.

2 column Text or Image

Diane Arbus

Diane Arbus (1923 - 1971)
Woman with a veil on Fifth Avenue, N.Y.C., 1968
Gelatin silver print 
20 x 16 inches
50.8 x 40.6 centimeters

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Donald Baechler

Donald Baechler
Crowd Painting #1-06, 2006
Acrylic and fabric collage on canvas
60 x 48 inches
152.4 x 121.9 centimeters

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Basquiat

Jean-Michel Basquiat (1960 - 1988)
Untitled (Scapula), 1983
Colored oilsticks on paper
22 x 30 inches
55.9 x 76.2 centimeters

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Lynda Benglis

Lynda Benglis
Man/Landscape, 1991
Bronze on rock
18 1/4 x 4 3/4 x 6 inches
46.4 x 12.1 x 15.2 centimeters

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Lynda Benglis - Installed

Installation view: Lynda Benglis in I Am As You Will Be at Cheim & Read, New York, 2007.

Bourgeois - Femme

Louise Bourgeois (1911 - 2010)
Femme, 2005
Bronze, silver nitrate patina
13 x 16 1/2 x 7 3/4 inches
33 x 41.9 x 19.7 centimeters

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Bourgeois - Couple

Louise Bourgeois (1911 - 2010)
Couple, 2007
Gouache on paper
23 1/2 x 18 inches
59.7 x 45.7 centimeters

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"Here’s 'eccentric dentist' T.C. Boring, naked ... later murdered and his house set on fire," writes Adrian Searle in The Guardian, on William Eggleston's frequent subject, which was on view at the National Portrait Gallery, London, in 2016.

Eggleston - Naked

William Eggleston
Untitled (Naked T.C. on Couch) Greenwood, MS [from Dust Bells 2], 1972
Dye-transfer print
16 x 20 inches
40.6 x 50.8 centimeters

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Eggleston - Mika

William Eggleston
Untitled (Mika on Subway), 2001
Light jet print
30 x 24 inches
76.2 x 61 centimeters

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Adam Fuss - Dag

Adam Fuss
The Space Between Garden and Eve, 2011
Daguerreotype
27 3/4 x 42 inches
70.5 x 106.7 centimeters

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Adam Fuss - Baby

Adam Fuss
Untitled, 2006
Unique cibachrome photogram
40 x 30 inches
101.6 x 76.2 centimeters

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Chantal Joffe

Chantal Joffe
Blonde with a Baby, 2012
Oil on board
96 1/4 x 72 1/4 inches
244.5 x 183.5 centimeters

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2 column Text or Image

Robert Mapplethorpe - Feet

Robert Mapplethorpe (1946 - 1989)
Untitled (Self Portrait), Circa 1973
Polaroid
3 1/4 x 4 1/4 inches
8.3 x 10.8 centimeters

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Robert Mapplethorpe - Face

Robert Mapplethorpe (1946 - 1989)
Untitled (Self Portrait), Circa 1972
Polaroid (B/W )
4 1/4 x 3 1/4 inches
10.8 x 8.3 centimeters

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Alice Neel painted her daughter-in-law, Nancy Neel, and her granddaughter, Olivia, in this touching double portrait. Neel frequently painted mothers with their children, pregnant women, and babies. 

Alice Neel - Nancy and Olivia

Alice Neel (1900 - 1984)
Nancy and Olivia, 1968
Oil on canvas
30 x 30 inches
76.2 x 76.2 centimeters

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Alice Neel

Alice Neel (1900 - 1984)
Rachel Zurer, 1961-62
Oil on canvas
39 x 26 inches
99.1 x 66 centimeters

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Inspired by an earlier series of pencil drawings he did from an old postcard of Jackie Kennedy's face, Pierson produced for this exhibition a suite of twelve large-scale silkscreen paintings, all linearly graphic in black ink on diffused, off-white linen. Pierson has composed his subject each time in three-quarter view, but her emotional representation, managed by changes in the density of line and the subtle reorganization of features (and assisted by the sketchiness of Pierson's style) shifts between melancholic moods-she looks lonely, anxious, deep in thought, separated from the outside world.

Jack Pierson - Melancholia

Jack Pierson
Melancholia Passing into Madness (9), 2006
Acrylic on linen
77 x 60 inches
195.6 x 152.4 centimeters

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Jack Pierson - What You Take With You

Jack Pierson
What You Take With You and What You Leave Behind, 1995
painted wood platform, chair, shirt, coffee cup, and cigarette butts
32 x 48 x 48 inches
81.3 x 121.9 x 121.9 centimeters

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Jack Pierson - What You Take With You - Installed

Installation view: Jack Pierson at Cheim & Read, Independent, New York, 2018.

Milton Resnick

Milton Resnick (1917 - 2004)
Untitled, 1991
Gouache on paper
12 x 9 inches
30.5 x 22.9 centimeters

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Andy Warhol - Photograph

Andy Warhol (1928 - 1987)
Male Nude, 1986
Gelatin silver print
10 x 8 inches
25.4 x 20.3 centimeters

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"In despair at his own appearance, Warhol venerated beauty. But his definition of beauty was generous, encompassing, radically open. 'I've never met a person I couldn't call a beauty,' he said ..." from Andy Warhol, edited by Gregor Muir and Olivia Liang, Tate, London. 2020.

Andy Warhol - Unidentified Female

Andy Warhol (1928 - 1987)
Unidentified Female, Circa 1960
Black ballpoint pen on manila paper
16 3/4 x 13 7/8 inches
42.5 x 35.2 centimeters

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Andy Warhol - Unidentified Male

Andy Warhol (1928 - 1987)
Unidentified Male, Circa 1957
Graphite on white paper
18 x 14 inches
45.7 x 35.6 centimeters

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